NemoĆ
Voriger Nächster iridescence organza, cold porcelain, porcelain casting compound, glaze, garden wire, dentures, epoxy resin, blue paint, concrete, barbed wire; Number of sculptures: 5; 2017
DC/WN/WF,DF,PF
“Double-consciousness”/ “White Noise”/ “Won’t fits, don’t fits, perfect fits” photographed by Nadia Khashan; 2018 Voriger Nächster It is a peculiar sensation, this double-consciousness, this sense of always looking at one’s self through the eyes of others, of measuring one’s sou
White noise collection
Zurück Weiter 2018- embroidered and silkscreened up-cycled and/or tailored garments „It is a peculiar sensation, this double-consciousness, this sense of always looking at one’s self through the eyes of others, of measuring one’s soul by the tape of a world that looks on in amused contemp
RECONTEXTUALISATION 2
Voriger Nächster “Transmogrification 1/2” and “Recontextualisation” are a call to a reflective musing amid sensual evocations. A call to de-familiarise the familiar and to dismantle patriarchal fantasies and structures. The focus of these pieces lays on the fabric itself, in fact, a mu
RECONTEXTUALISATION 1
Voriger Nächster “Transmogrification 1/2” and “Recontextualisation” are a call to a reflective musing amid sensual evocations. A call to de-familiarise the familiar and to dismantle patriarchal fantasies and structures. The focus of these pieces lays on the fabric i
Transmogrification 1
Voriger Nächster “Transmogrification 1/2” and “Recontextualisation” are a call to a reflective musing amid sensual evocations. A call to de-familiarise the familiar and to dismantle patriarchal fantasies and structures. The focus of these pieces lays on the fabric itself, in fact, a m
Jadal
جدلI shall dreamسأحلم Voriger Nächster 2022 “The woman who sees without being seen frustrates the coloniser.” (Franz Fanon) These words of Ibrahim Frantz Fanon still carry considerable weight as we attempt to decipher why the world still holds on to imperial feminism and denies Muslim W
through the looking-glass
A metamorphosis of counter-hegemonic visual existence