Manifestos
2019- Abysmal Roots 2020- Recontextualisation/ Transmogrification 2020- The Tale of a repetitive image maker 2022- Through the Looking-Glass English Version 2022- Through the Looking-Glass German Version
Graphics
Play Voriger Nächster “Claustrophilia” group exhibition *******************Gallery : @ogallerytehran Selected by Dorsa Jalali Galleryexpo: https://www.instagram.com/p/CS16g5IIULm/ Artists : Ava Afshari, Serminaz Barseghian, Aylar Dastgiri, Kimia Dehghan, Lejla Dendic, Niki Fallahfar, Katharina
Abysmal Roots
Manifesto Voriger Nächster hand- painted dress textiles: 80% cotton, 20% linen; length-138cm/back width-35cm ; textile coulour Manifesto on tracing paper 2019
NemoĆ
Voriger Nächster iridescence organza, cold porcelain, porcelain casting compound, glaze, garden wire, dentures, epoxy resin, blue paint, concrete, barbed wire; Number of sculptures: 5; 2017
Bio/ CV
*1997 Visual Artist/ Researcher 2015- 2023 Studies at the State Academy of fine Arts Stuttgart E-Mail: info@lejla-dendic.com O-Gallery: https://galleryinfo.ir/artist/en/22739 Voriger Nächster Lejla Dendić is a visual artist who explores the intersections of visual politics, subjec
RECONTEXTUALISATION 2
Voriger Nächster “Transmogrification 1/2” and “Recontextualisation” are a call to a reflective musing amid sensual evocations. A call to de-familiarise the familiar and to dismantle patriarchal fantasies and structures. The focus of these pieces lays on the fabric itself, in fact, a mu
RECONTEXTUALISATION 1
Voriger Nächster “Transmogrification 1/2” and “Recontextualisation” are a call to a reflective musing amid sensual evocations. A call to de-familiarise the familiar and to dismantle patriarchal fantasies and structures. The focus of these pieces lays on the fabric i
The tale of a repetitive image maker
https://lejla-dendic.com/wp-content/uploads/2022/01/Schattentheater.mp4 Shadow Puppet Theatre, made in collaboration with Katharina Göppert Length: 6min:16Sec., 2020 The tale of a repetitive image maker The socio-semantic earthquake produced by Covid-19 compels us to yet again think about the
Jadal
جدلI shall dreamسأحلم Voriger Nächster 2022 “The woman who sees without being seen frustrates the coloniser.” (Franz Fanon) These words of Ibrahim Frantz Fanon still carry considerable weight as we attempt to decipher why the world still holds on to imperial feminism and denies Muslim W
Transfigurations of an intercultural Bias
18,5 cm x 20,2cm; fineliner and watercolour on paper; 2020 This piece grapples with the hypocrisy of the face veil bans for Muslim Women, which in France came into law in 2011, as well as Québéc‘s face-covering ban, which came into law in 2017. Moreover, it addresses the bone of contention