DC/WN/WF,DF,PF
“Double-consciousness”/ “White Noise”/ “Won’t fits, don’t fits, perfect fits” photographed by Nadia Khashan; 2018 Voriger Nächster It is a peculiar sensation, this double-consciousness, this sense of always looking at one’s self through the eyes of others, of measuring one’s sou
White noise collection
Zurück Weiter 2018- embroidered and silkscreened up-cycled and/or tailored garments „It is a peculiar sensation, this double-consciousness, this sense of always looking at one’s self through the eyes of others, of measuring one’s soul by the tape of a world that looks on in amused contemp
RECONTEXTUALISATION 2
Voriger Nächster “Transmogrification 1/2” and “Recontextualisation” are a call to a reflective musing amid sensual evocations. A call to de-familiarise the familiar and to dismantle patriarchal fantasies and structures. The focus of these pieces lays on the fabric itself, in fact, a mu
RECONTEXTUALISATION 1
Voriger Nächster “Transmogrification 1/2” and “Recontextualisation” are a call to a reflective musing amid sensual evocations. A call to de-familiarise the familiar and to dismantle patriarchal fantasies and structures. The focus of these pieces lays on the fabric i
Transmogrification 1
Voriger Nächster “Transmogrification 1/2” and “Recontextualisation” are a call to a reflective musing amid sensual evocations. A call to de-familiarise the familiar and to dismantle patriarchal fantasies and structures. The focus of these pieces lays on the fabric itself, in fact, a m
The tale of a repetitive image maker
https://lejla-dendic.com/wp-content/uploads/2022/01/Schattentheater.mp4 Shadow Puppet Theatre, made in collaboration with Katharina Göppert Length: 6min:16Sec., 2020 The tale of a repetitive image maker The socio-semantic earthquake produced by Covid-19 compels us to yet again think about the
Jadal
جدلI shall dreamسأحلم Voriger Nächster 2022 “The woman who sees without being seen frustrates the coloniser.” (Franz Fanon) These words of Ibrahim Frantz Fanon still carry considerable weight as we attempt to decipher why the world still holds on to imperial feminism and denies Muslim W
Transfigurations of an intercultural Bias
18,5 cm x 20,2cm; fineliner and watercolour on paper; 2020 This piece grapples with the hypocrisy of the face veil bans for Muslim Women, which in France came into law in 2011, as well as Québéc‘s face-covering ban, which came into law in 2017. Moreover, it addresses the bone of contention
“Al-Komash“
"AL-KOMASH" directed by Nadia Khashan Executive producer/Designer: Manal Fathi Artist: Lejla Dendic Model: Whitney Kiala Music: Evin Kücükali D.O.P - Camera 2: Nadia Khashan Cinematographer: Marcus Milne Editor: Nadia Khashan Production assistant: Dennis Markner